Open today 12-5pm


Instructor: Marina Ancona

August 8 – 12, 2022, 10AM – 4PM

Monday – Friday, 5-day workshop


Class size 4-6, All Levels

$600 Members, $650 Non-members


*This workshop has reached its maximum*

Please email to be placed on the waiting list.



Using a range of new and traditional techniques based in the monotype process, artists in this workshop will develop skills while completing a personal and meaningful new body of work. Participants will develop an image, transfer the image to paper, and print with primary emphasis placed on the development of each participant’s aesthetic concerns. The class will begin with group demos covering basic oil-based monotype techniques then move to more advanced chine-colle and Xerox lithography processes. We will also be working with multiple plates, second pulls (ghosts), stencils wet and dry paper and a variety of mixed approaches. Although this workshop’s main focus is on monotype, artists are welcome to explore their ongoing print projects in the workshop.


Image: Marina Ancona, Butterflies VII, 2018, Monotype


MARINA ANCONA, (born 1971, New York, NY ) opened 10 Grand Press in 1999 in Brooklyn and has steadily expanded operations since. She moved to a larger workshop in Brooklyn in 2004 and opened a satellite workshop in Santa Fe in 2005, and continues to work in both locations. She has collaborated with a range of artists, including Nicole Eisenman, Jose Maria Sicilia, Jeff Gibson, Leidy Churchman, Nicola Lopez, Carrie Moyer, Rosy Keyser, and Harmony Hammond. Ancona is known for her ability to work in a variety of media and her dedication to experimentation and process. Editions are often variable and frequently incorporate innovative techniques or materials.

Before opening 10 Grand Press, Ancona worked in print shops in Santa Fe, Paris, and New York. She studied at the Boston Museum School and the Santa Fe Institute of Fine Arts, where she took master classes with Helen Frankenthaler, Ken Noland, Susan Rothenberg and others.

Ancona has given lectures and workshops at Bard College, Sarah Lawrence College, SUNY Purchase, and Pratt Institute. Her projects have been exhibited in museums and galleries worldwide, including the Guggenheim Museum, Museum of Modern Art, Whitney Museum of American Art, Leo Koenig Gallery, Art in General, and Museo Nacional Centro de Arte Reina Sofía.


View the materials list
  • Printmaking Paper- 4 sheets provided (Available for purchase at CCP)
  • Portfolio for transporting work
  • Notebook/ sketchpad
  • Drawing utensils
  • Vinyl or mylar for stencil making and Paul Klee technique– can be purchased in pads or sheets
  • Paintbrushes of all sizes from soft to stiff
  • Palette knives- 1.5” or 2” and painting knives (at least one)
  • #1 litho crayon, the softest for line marking on plexiglass (can be purchased at CCP)
  • Sharpie
  • Paper towels- Bounty is best
  • Light asian paper paper (for purchase at CCP)